Mark’s Koala Land exhibition at Redlands Regional Gallery has opened. Exhibited work includes design process, original illustrations and report layouts.
This exhibition is held in conjunction with World Environment Day, Friday 5 June 2015, and closes on July 11. The exhibition is supported by Dreamworld Wildlife Foundation.
Koala Land by Mark Gerada is an exhibition that considers ways of creating a sustainable future for koalas and people on the Koala Coast in South East Queensland. A collection of conversations with people who have worked with koalas for decades — researchers, scientists, vets, carers, wildlife rescuers, zoo keepers and planners — Koala Land provides solutions for rebuilding koala populations, creating a picture of what we can start doing now to prevent the koala from becoming extinct. The question we need to ask is, ‘How can humans and koalas live together?’
Mark’s Mighty Mountain light boxes were selected and curated by artists Claire Healy and Sean Cordeiro to be a part of the Modern Art Projects exhibition Portal to K-Town. The installation in the window is by Suzann Victor.
Mark created Chop you down and Everything is connected to everything for the Beyond Malta exhibition. The exhibition, in Auberger D’Italie, Valletta, is supported by the Ministry of Foreign Affairs and Heritage Malta. The installation in the background is by John Vella.
Mark was invited to speak at the 4th Convention for Maltese Living abroad, where he presented his paper Journeys in Identity: Social and Environmental Planning. Mark’s paper was a part of a workshop titled Identity, Culture and Language Maintenance, and was moderated by Dr Carmen Sammut and Dr Stephen Gatt (pictured). The convention is supported by the Ministry of Foreign Affairs.
Mark was commissioned by Holt Design to create 3 images for Dekton by Cosentino. Mark designed the architecture and placed the Dekton ‘follies’ into stock images to illustrate the material’s ability to withstand heat, cold and dust.
Mark has been working with Diego Bonetto and Tega Brain, running workshops and meeting scientists, as a part of their Suburban Wilderness Trail – The Beasts of Alderley project. This project has been commissioned by City of Brisbane.
Mark created a new 1000mm x 1600mm painting for the Gormans.
Mark re-edited and re-designed the Koala Land report with Arielle Gamble. You can see the latest Koala Land report here.
“I escaped the city a few months ago and found paradise in Lunawanna alonnah (Bruny Island, Tasmania), where rolling hills meet the sea, broken only by the vertical strokes of blue gums. I sat making studies on a steep grassy hill overlooking a tranquil bay. As I drew, I could feel something from the past in the land. I was especially mesmerised by the enormity of the Blue Gum trees with hollowed bases that surrounded me, wondering if they might have been used for something.
I later went on to discover that in 1792, a French biologist by the name of Jaques Labillardière, commented on these same large hollows at the base of standing trees. He noted that they were being used as cooking areas by the Nuenonne people, part of the south east tribe of Aboriginal Tasmanians, and that the Nuenonne occasionally used these hollows for shelter. Other early European explorers noted that the Nuenonne were a peaceful people existing in a bountiful place with plentiful resources, everything one would need.
Like many indigenous Australians, the Nuenonne lived in an earthly paradise where there was a balance between using resources and respecting nature. But sadly that ideal life came to an end when they were wiped out by bullets and disease. In 1876, with the death of Truganini, the last Nuenonne, an indigenous people had become extinct.
The act of making this life size pencil work on paper for the Chippendale New World Art Prize comes from a clear space for me – I simply want its power and beauty to be a memorial of an old way of living. I would like people to reflect on how the Nuenonne used to live in peace in nature and how this can inspire perceptions of possible new worlds. This tree hollow can stand as a symbol that sees a new world where people accept each other as they are, without causing harm to one another. To me, this would be utopia.” – Mark Gerada